Final Destination Bloodlines
Death hunts down a family
ESTIMATED domestic box office revenue
$104 – 143MM
Mythosis universal quests used
3
Audience appeal
2.29 – 2.80%
Hidden potential
$456 – 503MM
Directed by Zach Lipovsky & Adam Stein, Final Destination Bloodlines released in May 2025. Jon Watts’ story centres on a family that has narrowly escaped Death’s grasp. As Death returns determined to reclaim, the family confronts their fate and fights to defy it once more.
1. The invisible plot structure of Final Destination Bloodlines
1A. The script of Final Destination Bloodlines borrows 88% of its events from 3 mythological tales
The desire for preservation drives Stefani’s quest. The quest borrows events from the tale of Noah in Abrahamic mythology. Both Noah & Stefani are aware of a calamity but clueless, hence seek ways to avert it.
The desire to punish offenders drives Death ’s quest. The quest borrows events from the tale of Duryodhan in Hindu mythology. Duryodhan’s retaliation, stemming from his belief that the throne was unjustly taken from him, parallels Death’s pursuit of revenge, against those who cheated it.
The desire for tranquillity drives Iris’ underdeveloped quest. The quest borrows events from the tale of Odysseus in Greek mythology. Both Odysseus and Iris navigate their way through hostile territory.
None of the other characters have a quest.
Mythosis plot structure
#27,987
Tales interweaved
Odysseus, Duryodhan & Noah
I. How does interweaving mythological tales lead to infinite story plots?
II. Can the pursuit of a Desire have more than one quest?
2. Potential of Final Destination Bloodlines' plot structure: $104–143MM
The interweaving of 32 mythological tales can generate a billion unique stories. By using these 32 tales, we can extract the plot structure of any story across various genres. Our study of blockbuster, hit, and flop plot structures led to the discovery of the Mythosis Code. The Code is a set of principles for creating compelling stories. These storytelling principles reveal the strength of a story’s plot structure.
2A. Plot structure evaluation of Final Destination Bloodlines
- All Blockbusters have at least 3 universal quests. Final Destination Bloodlines uses 2 universal quests of Preservation & Vengeance. The quest of Tranquillity is sparingly used.
- In Blockbusters, every character mirrors ONLY ONE universal quest. Stefani mirrors the quest of Preservation whereas Death mirrors Vengeance.
- Every Blockbuster character borrows at least 35% of the universal quest. Stefani borrows 20% events from the quest of Preservation. Death borrows 19% events from Vengeance. Iris borrows a few events from the quest of Tranquillity.
- Blockbusters have a quest interweaving threshold of 0.5. Interweaving occurs when events of 2 quests occur simultaneously in the story. Final Destination Bloodlines has a perfect quest interweaving score of 1.
For instance, an example of interweaving the quests of Iris & Death:
2B. Box office revenue estimation of Final Destination Bloodlines
The unique script of Final Destination Bloodlines interweaves the universal quests of Tranquillity, Vengeance and Preservation. However, the quests are shallow and/or under-developed.
The Script Score measures the potency of a plot structure. Higher its adherence to the principles of Mythosis Code, greater is the potency. The Script Score helps estimate a movie’s audience appeal & revenues. Blockbuster plot structures have a score of at least 0.64 and appeal to 20% of the audiences.
Script Score
0.08
Audience appeal
2.29% – 2.80%
I. How is Mythosis Code used to estimate revenues?
II. Aren’t box-office revenues influenced by several factors beyond just the story plot?
3. The ideal plot structure of Final Destination Bloodlines
We have identified 32 mythological tales. These are the superset of all tales across cultures. The quests of these tales have recurred over time periods. They represent human behaviours embedded in our shared memories. Each tale is the richest expression of the pursuit of a human desire. The tales have a unique pattern of events spread over 5 major arcs.
32 mythological tales strengthen the story and unlock its hidden potential. First, we map a character’s quest to the relevant mythological tale. This exercise reveals the gaps in their quest, if any. Second, identify missing events to plug the gaps. Plugging gaps deepens the character quest. Third, use missing events to strengthen the interweaving between various quests.
3A. Gaps in the current plot structure
The weakness of the plot structure lies in under-utilizing the quests of Stefani & Iris.
Furthermore, the shallow portrayal of Stefani’s relationships with Darlene and Charlie fails to enhance the plot.
3B. Unlocking the hidden potential
The hidden potential of Final Destination Bloodlines is unlocked by Mythosis Plot structure #27,987 that interweaves the tales of Odysseus, Duryodhan & Noah.
– This plot structure deepens the quests of both Stefani and Iris
– Borrowing from the quests of Noah & Odysseus not only removes the gaps but also makes the story cohesive.
– The revised plot structure enhances current revenues to $456 – 503MM.
Explore Mythosis Plot structure #27,987 to enhance current revenues by 3X!
Tags: Noah, Preservation, Hanuman, Honour, Duryodhan, Vengeance, Odysseus, Tranquillity, Zach Lipovsky, Adam Stein, Jon Watts Warner Bros. Pictures, 2025