The script potential score of Roma is 0.05 (predicted 31-40MM, performance similar to Love, Simon; Darkest Hour)

Roma poster copyright belongs to Netflix

The script of Roma will appeal to 1.37 – 1.52 % of the population

Any story is the quest to fulfil a human desire. We have identified universal quests for every human desire. These universal quests reveal the invisible plot structure of stories. An analysis of Blockbuster, Hit & Flop plots led to the discovery of Mythosis Code. The Code reveals the story principles shared by all Blockbusters. We use the Code to estimate and unlock a story’s Blockbuster potential.
Roma’s script interweaves the tales of Noah & Karn
The plot structure of Roma interweaves only 2 quests thereby limiting the audience appeal. Moreover, both Sofia & Cleo don’t have sufficient depth since they borrow inadequately from their respective quests.

91% events in Roma are borrowed from 2 mythological tales

At Mythosis, we have identified 32 mythological tales. Each mythological tale uniquely represents a human quest to fulfil a desire. These tales are the super set of thousands of tales across cultures.
We have codified the events of each mythological tale. Every tale has 5 major arcs. Each arc has a sequence of events. These events culminate into a major event. Here is the mapping of each character’s quest to the major events in their respective mythological tale.

Quest 1: Sofia mirrors 32% of Noah’s quest for Preservation (marginally below threshold)

Sofia’s desire for Preservation stems from the need to survive a threat. The tale of Noah from Abrahamic mythology is the universal quest for Preservation.
In Roma, Sofia borrows from the Abrahamic mythological tale of Noah

Quest 2: Cleo mirrors 26% of Karn’s quest for Acceptance (below threshold of 35%)

Cleo’s desire for Acceptance stems from the need for approval by others. The tale of Karn from Hindu mythology is the universal quest for Acceptance.