The script potential score of Black Adam is 0.15 (predicted revenue 142-158MM; actual 168MM)

Black Adam poster copyright belongs to Warner Bros Pictures

The script of Black Adam will appeal to 4.26 – 4.73% of the population

Any story is the quest to fulfil a human desire. We have identified universal quests for every human desire. These universal quests reveal the invisible plot structure of stories. An analysis of Blockbuster, Hit & Flop plots led to the discovery of Mythosis Code. The Code reveals the story principles shared by all Blockbusters. We use the Code to estimate and unlock a story’s Blockbuster potential.
Black Adam’s script interweaves the tales of Hanuman & Jason
Though the plot structure of Black Adam borrows from 4 universal quests, the plot is weak due to the inconsistent character of Adam. Adam’s character quest vacillates between the 2 quests of Honour. Moreover, all the other characters are inadequately developed.

92% events in Black Adam are borrowed from 4 mythological tales

At Mythosis, we have identified 32 mythological tales. Each mythological tale uniquely represents a human quest to fulfil a desire. These tales are the super set of thousands of tales across cultures.
We have codified the events of each mythological tale. Every tale has 5 major arcs. Each arc has a sequence of events. These events culminate into a major event. Here is the mapping of each character’s quest to the major events in their respective mythological tale.

Quest 1: Adrianna mirrors 8% of Jason’s quest for Expedition (below threshold of 35%)

Adrianna’ desire for Expedition stems from the need to find an elusive object. The tale of Jason from Greek mythology is the universal quest for Expedition.
In Black Adam, Adrianna borrows from the Greek mythological tale of Jason

Quest 4: Ishmael mirrors 24% of Duryodhan’s quest for Vengeance (below threshold of 35%)

Ishmael’s desire for Vengeance stems from the need to confront offenders. The tale of Duryodhan from Hindu mythology is the universal quest for Vengeance.