The script potential of Meg2 is 57-69MM in the domestic market (actual 82MM)

Meg2

The script of Meg2 will appeal to 1.62-1.98% of the population

Any story is the quest to fulfil a human desire. We have identified universal quests for every human desire. These universal quests reveal the invisible plot structure of stories. An analysis of Blockbuster, Hit & Flop plots led to the discovery of Mythosis Code. The Code reveals the story principles shared by all Blockbusters. We use the Code to estimate and unlock a story’s Blockbuster potential.
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The plot structure of Meg2 uses 4 universal quests & interweaves them as well. However, Jonas’ character is inconsistent since he mirrors two quests. Moreover, all the characters are under developed.

87% events in Meg2 are borrowed from 4 mythological tales

At Mythosis, we have identified 32 mythological tales. Each mythological tale uniquely represents a human quest to fulfil a desire. These tales are the super set of thousands of tales across cultures. We have codified the events of each mythological tale. Every tale has 5 major arcs. Each arc has a sequence of events. These events culminate into a major event. Here is the mapping of each character’s quest to the major events in their respective mythological tale.

Quest 1: Jiuming mirrors 26% of Odysseus’ quest for Tranquillity (below threshold of 35%)

Jiuming’s desire for Tranquillity stems from his need to be free from anxiety & fear. The tale of Odysseus from Greek mythology is the universal quest for Tranquillity.
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Quest 2: Jonas mirrors 9% of Noah’s quest for Preservation (below threshold of 35%)

Jonas’ desire for Preservation stems from his need to survive. The tale of Noah from Abrahamic mythology is the universal quest for Preservation.
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Quest 3: Jonas mirrors 11% of David’s quest for Independence (below threshold of 35%)

Jonas’ desire for Independence stems from his need for self-reliance. The tale of David from Abrahamic mythology is the universal quest for Independence.
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Quest 4: Driscoll mirrors 9% of Duryodhan’s quest for Vengeance (below threshold of 35%)

Driscoll’s desire for Vengeance stems from her need to confront offenders. The tale of Duryodhan from Hindu mythology is the universal quest for Vengeance.
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