Mythosis

It Ends with Us poster copyright belongs to Sony Pictures Releasing

It Ends With Us

A refreshingly unique love triangle

EST V ACT domestic box office revenue

$172–239MM V $148MM

Mythosis universal quests used

3

Audience appeal

4.49 – 5.49%

Hidden potential

$636–704MM

It Ends with Us directed by Justin Baldoni is an adaptation of Colleen Hoover’s best-selling novel. The story is about Lily being unwittingly drawn into a traumatic situation reminiscent of her childhood scars. Its plot explores basic human desires of tranquillity, loyalty & selfishness. Mythosis extracts the plot structure of the movie with 3 mythological tales to estimate and unlock its potential.

It Ends with Us poster copyright belongs to Sony Pictures Releasing

1. The invisible plot structure of It Ends With Us

1A. The script of It Ends With Us borrows 97% of its events from 3 mythological tales

Lily’s quest is driven by the desire to be in a peaceful environment and mirrors the tale of Sita from Hindu mythology. Both Sita and Lily have suffered from abuse and aggression, and they both yearn for peace and tranquillity.

Atlas’ quest is driven by the desire to restore honour of others and mirrors the tale of Hanuman from Hindu mythology. Both Hanuman & Atlas offer unconditional support to a person wronged.

Ryle’s quest is driven by the desire collect & own and mirrors the tale of Valmiki from Hindu mythology. Both Valmiki and Ryle exhibit self-centered behaviour, even to the point of sacrificing the well-being of their loved ones.

Alyssa doesn’t have a quest.

NOTE: Detailed mirroring of each character’s primary quest to their respective mythological tales is in section “3A. Quests of characters and their mythological counterparts”

Mythosis plot structure

# 4,662

Tales interweaved

Valmiki, Hanuman & Sita

I. How does interweaving mythological tales lead to infinite story plots?
II. Can the pursuit of a Desire have more than one quest?

2. The potential of It Ends With Us plot structure: $172-239MM

The interweaving of 32 mythological tales can generate a billion unique stories. By using these 32 tales, we can extract the plot structure of any story across various genres. Our study of blockbuster, hit, and flop plot structures led to the discovery of the Mythosis Code, a set of principles for creating compelling stories. The plot structure of a story is analyzed to see how well it adheres to these storytelling principles.

2A. Plot structure evaluation of It Ends With Us

An example of interweaving the quests of Lily & Atlas:

2B. Box office revenue estimation of It Ends With Us

The characters of It Ends With Us uniquely mirror 3 different mythological tales as well as their quests are well interwoven.

However, none of the characters have deep quests. 

The Script Score measures a plot structure’s  adherence to the four principles of Mythosis Code. We use the Script Score to estimate a movie’s audience appeal & revenues. Blockbuster plot structures have a score of at least 0.64 and appeal to 20% of the audiences.

Script Score

0.16

Audience appeal

4.49 – 5.49%

I. How is Mythosis Code used to estimate revenues?
II. Aren’t box-office revenues influenced by several factors beyond just the story plot?

3. The ideal plot structure of It Ends With Us

We have identified 32 mythological tales, the superset of all tales across cultures. The quests of these tales have also recurred over time periods. They represent human behaviours that are deeply embedded in our shared memories. Each tale is the richest expression of the pursuit of a human desire. The tales have a unique pattern of events spread over 5 major arcs.

Mapping a character’s quest to the relevant mythological tale reveals the gaps in their quest, if any. Plugging these gaps with the missing events deepens the character quest. The missing events also provide an opportunity for interweaving the various quests. These events strengthen the story and unlock its hidden potential.

3A.Quest of characters and their mythological counterparts​

Quest 1: Lily mirrors the universal quest for Tranquillity

Lily’s desire for Tranquillity stems from the need to be in a peaceful environment. The tale of Sita from Hindu mythology is the universal quest for Tranquillity.

Quest 2: Atlas mirrors the universal quest for Honour

Atlas’ desire for Honour stems from the need to restore the honour of one’s clan/order. The tale of Hanuman from Hindu mythology is the universal quest for Honour.

In It Ends with Us, Atlas borrows from the Hindu mythological tale of Hanuman

Quest 3: Ryle mirrors the universal quest for Accumulation

Ryle’s desire for Accumulation stems from the need to collect & own. The tale of Valmiki from Hindu mythology has a robust expression in Dicken’s character of Scrooge which is the universal quest for Accumulation.

In It Ends with Us, Ryle borrows from the Hindu mythological tale of Valmiki

The plot structure of It Ends with Us is unique. The universal quests of Accumulation, Tranquillity & Honour has never been interwoven in the history of storytelling.

It Ends with Us’ plot structure # 4,662 has blockbuster potential since it combines three universal quests.

  • The current plot structure can be transformed by increasing the depth of each character quest.
  • All the 3 characters mirror far below the threshold from their respective universal quests.
 

Deepening each character by borrowing missing events from their respective universal quests unlocks the hidden potential

It enhances the current revenues to approximately $700MM in the domestic market.

Explore Mythosis Plot structure # 4,662 that enhances current revenues by ~3.5X!

Tags: Hanuman, Sita, Valmiki, Honour, Tranquillity, Accumulation, Justin Baldoni, Christy Hall, Colleen Hoover, Columbia Pictures, Sony Pictures Releasing, 2024

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