Mythology reveals The Frighteners’ plot structure

The Frighteners poster copyright belongs to Universal Pictures
The Frighteners is a 1996 supernatural comedy film directed by Peter Jackson and co-written with Fran Walsh. The story follows a conman who uses his psychic abilities to overcome a demonic spirit. The story explores basic human desires of honour, power, accumulation & vengeance. Mythosis uses 5 mythological tales to extract the plot structure of the movie.

1. Mythological tales reveal the invisible plot structure of any story

1A. 90% of the events are borrowed from 5 mythological tales

Frank's quest is driven by the desire to own and mirrors the tale of Valmiki from Hindu mythology. Both Valmiki & Frank give up their selfish endeavours to help others.

Lucy’s quest is driven by the desire to serve one’s clan or order and mirrors the tale of Hanuman from Hindu mythology. Both Hanuman & Lucy loyally serve a person fighting a social evil. The latter half of Hanuman’s quest is mirrored by Frank.

Johnny’s quest is driven by the desire to dominate others and mirrors the tale of Ravan from Hindu mythology. Both Ravan & Johnny are left to die by their envious brothers.

Every human desire has two quests - a fulfilled one and also an unfulfilled one. The Frighteners uses both quests for the desire to dominate others. Patricia mirrors part of the fulfilled quest whereas Johnny mirrors the unfulfilled quest.

Patricia’s quest is driven by the desire to dominate others and mirrors the tale of Circe from Greek mythology. Both Circe & Patricia create a façade to dupe others.

Dammers’ quest is driven by the desire to punish offenders and mirrors the tale of Duryodhan from Hindu mythology. Both Duryodhan & Dammers pursue wrongdoers to avenge themselves.

Ray has an underdeveloped quest driven by the desire to protect loved ones.

Detailed mirroring of each character to their respective mythological tales is in section “3A. Quests of characters and their mythological counterparts”

1B. 32 mythological tales are the source of all stories, even the untold ones

Human beings are driven by 16 fundamental desires. Every desire, whether encountering fulfilment or unfulfillment, gives rise to two distinct quests. Thus, a spectrum of 32 unique quests mirrors every human desire.

We have discovered mythological tales from across civilizations that uniquely portray each one of these 32 human quests. While each mythological tale stands as a distinct quest, the true magic unfolds when these tales are combined. This synergy is evident in the epics of Odyssey and Ramayan, where various universal quests seamlessly intertwine.

Combining any five tales from the 32, generates a staggering 24 million unique story plots. Take it a step further, by combining six tales the possibilities explode to an astounding 600 million!
The unique plot structure of The Frighteners is # 3,613,192. It emerges from interweaving the tales of Valmiki, Circe, Ravan, Duryodhan & Hanuman.

2. Plot structure potential of The Frighteners: $14-18MM

2A. Plot structure evaluation of The Frighteners

An analysis of Blockbuster, Hit & Flop plots has led to the discovery of Mythosis Code. The Code reveals the story principles shared by all Blockbusters. We use the Code to estimate a story’s potential.
In The Frighteners, Frank borrows from the Hindu mythological tale of Valmiki

2B. Plot structure is the most important but least understood element of storytelling

Any plot structure that borrows events from at least 3 mythological tales has high resonance. In our own lives, each one of us identifies with at least one quest to fulfil a basic human desire. The more quests woven into a story, the wider its appeal.

The nature of mythological tales used, makes the plot structure fresh & unique.Besides, appealing to a larger audience size the interweaving of various human desires creates a unique and original story.

Interweaving mythological tales makes the plot structure cohesive. Stories become seamless when characters are woven with each other through their quests and not merely by relationships.

Characters are consistent when they mirror a single mythological tale. Characters pursuing more than one quest appear confusing due to their divergent desires.

Borrowing 35% or more events from each mythological tale strengthens both the plot structure & character. The plot structure becomes flat when characters borrow less than the threshold. Each mythological tale has multiple twists & turns hence no forced injection is required. Characters become layered & complex when their journey is deep.
Even though the script borrows from mythological tales it doesn't adhere to the first principles of storytelling. Firstly, the lead character is inconsistent due to pursuing two quests. Secondly, every other character has a shallow quest. Thirdly, the character quests aren't interwoven thereby making the plot structure inconsistent.

2C. Measuring the revenue potential of The Frighteners

We have created an algorithm by assigning weights to the principles of The Mythosis Code. The algorithm calculates the potency of a story’s plot structure and estimates its corresponding audience appeal. Blockbuster plot structures have a score of at least 0.64 and appeal to 20% of the audiences.
The Frighteners has a script potential score is 0.04 and the movie will appeal to 1.24 – 1.49% of the population. Our estimate of the movie’s revenues from its audience appeal is $14 – 18MM in the domestic market.

3.The ideal plot structure of The Frighteners

We have identified 32 universal quests that represent every human desire. These quests are the superset of thousands of stories across cultures that reflect our collective subconscious. Each quest has a structured sequence of events divided into 5 major arcs.

We map a character’s quest to the relevant mythological tale (universal quest) which reveals the gaps in their quest, if any. The ideal Plot Structure is constructed by plugging these gaps with the missing events from the tale. These events strengthen both the journey of characters as well as the weaving of quests without altering the story.

3A. Quest of characters and their mythological counterparts

Quest 1: Frank mirrors the universal quest for Accumulation

Frank’s desire for Accumulation stems from the need to collect & own. The tale of Valmiki from Hindu mythology has a robust expression in Dicken’s character of Scrooge which is the universal quest for Accumulation.
In The Frighteners, Lucy borrows from the Hindu mythological tale of Hanuman

Quest 2: Lucy mirrors the universal quest for Honour

Lucy’s desire for Honour stems from the need to serve ones’ clan/ order. The tale of Hanuman from Hindu mythology is the universal quest for Honour.
In The Frighteners, Johnny borrows from the Hindu mythological tale of Ravan

Quest 3: Johnny mirrors the universal quest for Power

Johnny’s desire for Power stems from the need to dominate others. The tale of Ravan from Hindu mythology is the universal unfulfilled quest for Power.
In The Frighteners, Patricia borrows from the Greek mythological tale of Circe

Quest 4: Patricia partially mirrors the universal quest for Power

Johnny’s desire for Power stems from the need to dominate others. The tale of Circe from Greek mythology is the universal fulfilled quest for Power.

Quest 5: Dammers mirrors the universal quest for Vengeance

Dammers’s desire for Vengeance stems from the need to punish offenders. The tale of Duryodhan from Hindu mythology is the universal quest for Vengeance.
The script of The Frighteners interweaves the tales of Hanuman & Duryodhan