Trap forgets craft of storytelling... trips on twists and turns

Trap poster copyright belongs to Warner Bros. Pictures
Trap, directed by Night Shyamalan is about a serial killer outsmarting his apprehenders with luck and chance rather than intelligence. The story explores basic human desires of power, sacrifice & idealism. Mythosis extracts the plot structure of the movie with 3 mythological tales to estimate and unlock its potential.

1. Mythological tales reveal the invisible plot structure of any story

1A. 87% of the events are borrowed from 3 mythological tales

Cooper’s quest is driven by the desire to dominate others and mirrors the tale of Circe from Greek mythology. Both Circe & Cooper create a façade of godliness to dupe others.

Lady Raven’s quest is driven by the desire to sacrifice self for serving others and mirrors the tale of Hanuman from Hindu mythology. Both Hanuman & Lady Raven help in finding the abductor.

Rachel has an underdeveloped quest driven by the desire to uphold justice and mirrors a few events from the tale of Prometheus from Greek mythology. Both Prometheus & Rachel turn idealistic and rebel against their own.

Grant, Riley & Jaime have non-existent quests.


Detailed mirroring of each character’s primary quest to their respective mythological tales is in section “3A. Quests of characters and their mythological counterparts”

1B. 32 mythological tales are the source of all stories, even the untold ones

Human beings are driven by 16 fundamental desires. Every desire, whether encountering fulfilment or unfulfillment, gives rise to two distinct quests. Thus, a spectrum of 32 unique quests mirrors every human desire.

We have discovered mythological tales from across civilizations that uniquely portray each one of these 32 human quests. While each mythological tale stands as a distinct quest, the true magic unfolds when these tales are combined. This synergy is evident in the epics of Odyssey and Ramayan, where various universal quests seamlessly intertwine.

Combining any five tales from the 32, generates a staggering 24 million unique story plots. Take it a step further, by combining six tales the possibilities explode to an astounding 600 million!

The unique plot structure of Trap is # 298. It emerges from interweaving the tales of Circe & Hanuman.

2. Plot structure potential of Trap: $23 – 40 MM

2A. Plot structure evaluation

An analysis of Blockbuster, Hit & Flop plots has led to the discovery of Mythosis Code. The Code reveals the story principles shared by all Blockbusters. We use the Code to estimate a story’s potential.
The script of Trap interweaves the tales of Circe & Hanuman

2B. Estimating revenue potential from the plot structure

The script of Trap doesn't adhere to any of the first principles of storytelling.

We have created an algorithm by assigning weights to the principles of The Mythosis Code. The algorithm calculates the potency of a story’s plot structure and estimates its corresponding audience appeal. Blockbuster plot structures have a score of at least 0.64 and appeal to 20% of the audiences.

Trap has a script potential score is 0.02 and the movie will appeal to 0.64 – 0.78% of the population. Our estimate of the movie’s revenues from its audience appeal is $23 – 40MM in the domestic market.

3. The ideal plot structure of Trap

We have identified 32 universal quests that represent every human desire. These quests are the superset of thousands of stories across cultures that reflect our collective subconscious. Each quest has a structured sequence of events divided into 5 major arcs.

We map a character’s quest to the relevant mythological tale (universal quest) which reveals the gaps in their quest, if any. The ideal Plot Structure is constructed by plugging these gaps with the missing events from the tale. These events strengthen both the journey of characters as well as the weaving of quests without altering the story.

3A. Quest of characters and their mythological counterparts

Quest 1: Cooper mirrors the universal quest for Power

Cooper’s desire for Power stems from the need to dominate others. The tale of Circe from Greek mythology is the universal fulfilled quest for Power.

Quest 2: Lady Raven mirrors the universal quest for Honour

Lady Raven’s desire for Honour stems from the need to sacrifice self for clan/order. The tale of Hanuman from Hindu mythology is the universal quest for Honour.
In Trap, Lady Raven borrows from the Hindu mythological tale of Hanuman

3B. Gaps in the current plot structure

The plot structure of Trap comprises shallow quests of Cooper & Lady Raven

It doesn't build on the motivations of Rachel or Grant to create powerful quests for them

Cooper mirrors the tale of Circe but unlike her quest, Cooper's quest is a result of chance rather than effort.

3C. Unlocking the hidden potential

A redraft of the script is necessitated by the fact that Trap doesn’t adhere to any of the first principles of storytelling.

Even though Grant doesn’t have a quest in the story, she has a clear objective of apprehending a serial killer. The universal quest of Order is driven by the desire to maintain stability. The tale of Ram from Hindu mythology represents the universal quest of Order.

The universal quests of Order, Power & Honour unlocks the hidden potential of Trap. This quest has been mirrored by Clarice in Silence of the Lambs.